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Barnes & Noble Whether peddling vacuum cleaners or encyclopedias, the door-to-door salesman is a uniquely American archetype, and one that comes under fascinating scrutiny in David and Albert Maysles and Charlotte Zwerins landmark 1969 documentary, Salesman. This exquisitely crafted film follows four Bible salesmen -- nicknamed "The Badger," "The Gipper," "The Rabbit," and "The Bull" -- as each makes his way to a national sales meeting in Chicago. The Maysles vividly capture their motel-room life on the road and their attempts to inveigle their way into living rooms to promote "the best seller in the world." Perhaps the most moving of the four hawkers is The Badger, who seems caught in the downward spiral of negative thinking that spells doom for a salesmans success. Splendidly photographed in black-and-white, Salesman epitomizes the cinema verité documentary style (also known as "direct cinema") that emerged in the 1960s. Scenes unfold as if the camera werent present, making the subjects seem unnervingly candid and authentic. With no narrator, no musical score, no talking-head interviews, and no contrived plotline, Salesman feels remarkably intimate. Together with their legendary Rolling Stones documentary, Gimme Shelter, which followed the next year, Salesman solidified the Maysles position among the great documentary filmmakers, such as D. A. Pennebaker and Richard Leacock. Gregory Baird Interested in the song lyrics? - Check out themostlyrics.com! Looking For A DVD? - Check out dvd-a-rama.com! |
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