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Barnes & Noble Anna and the King is the third film to chronicle the adventures of British governess Anna Leonowens in 19th-century Siam, and it is far and away the most picturesque. Gorgeous location photography lends verisimilitude to the dreamily exotic setting and by-now-familiar story. Jodie Foster makes a placidly beautiful yet passionate Anna, who accepts the job of teaching the 58 children sired by Siams King Mongkut (Hong Kong action star Chow Yun-Fat) and immediately finds herself locked in a battle of wills with the potentate. Director Andy Tennant draws repeated comparisons between Eastern and Western philosophies, and he sharply delineates Mongkuts dilemma: The king knows times are changing and wants his children to be equipped to cope with those changes, yet he remains strangely unwilling to jettison beliefs and traditions that have governed his peoples behavior for countless centuries. Neither Anna and the King of Siam (1948) nor The King and I (1956) deal with political intrigue and physical danger as specifically as this adaptation of the tale. But it is those elements, along with the fine performances of Foster and Chow, that make Anna and the King such a rousing success and, in many ways, the best of the three versions. Ed Hulse Interested in the song lyrics? - Check out themostlyrics.com! Looking For A DVD? - Check out dvd-a-rama.com! |
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