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 48 Hrs.
Walter Hill
ProducerPARAMOUNT

  barnes & Noble.com

Barnes & Noble
While this dark, often violent, and hilarious film from director Walter Hill will always be remembered as the one that launched Eddie Murphys movie career, it may be even more significant as the prototype for visceral, R-rated buddy comedies. After a hair-raising opening shoot-out scene that leaves two cops dead, Hill sets his oddball pairing off and running. In order to track down the shooters, grizzled detective Jack Cates (Nick Nolte) springs their ex-partner from prison on a 48-hour pass. The wisecracking con, Reggie Hammond (Murphy), is less than enthused about the assignment, and Nolte and Murphys razor-edged verbal (and physical) friction during the investigation quickly becomes the pictures centerpiece. Murphys angry glower, street-smart swagger, and machine-gun delivery -- witness the now-legendary redneck bar scene -- is undeniably some of his most effective screen work. Still, it is the strategically fleshed-out juxtaposition of Nolte and Murphy’s characters that gives their improbable partnership its explosive comedic punch. Of all the cop-buddy shoot-em-ups that have followed, such as the various Lethal Weapon and Rush Hour films, none has so effectively bottled the spark that Hill managed to capture between his two leads in this definitive action/comedy. Matthew Grimm

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